Showing posts with label 2024-2025 Season. Show all posts
Showing posts with label 2024-2025 Season. Show all posts

Wednesday, December 17, 2025

2025 in Review: Our Favorite Writing and Direction

We were fortunate to have seen 17 different productions in 2025: 14 on Broadway and 3 off-Broadway. These are the shows we considered in all categories this year: Bat Boy: The Musical. Buena Vista Social Club, Dead Outlaw, Death Becomes Her, Floyd Collins, Gypsy, Heathers, John Proctor is the Villain, Operation Mincemeat, The Queen of Versailles, Ragtime, Real Women Have Curves, Redwood, Romeo + Juliet, Stephen Sondheim's Old Friends, Two Strangers (Carry a Cake Across New York) and Urinetown. There were two productions we paid another visit to: Hadestown and Sunset Boulevard and considered only those elements which were new to us this time around. We made our selections separately, so below you'll see where we agreed, where we differed, and those things we each just had to include. Our selections are arranged in alphabetical order below.

How did we compare to your favorites? Let us know via social media - @jkstheatresecene on all platforms. (X, Instagram, Threads, Blue Sky and Yahoo mail)

2025 in Review:
Our Favorite Writing and Direction 

FAVORITE NEW BROADWAY SONG


"Dear Bill" from Operation Mincemeat
Sung by Jak Malone
Music and Lyrics by David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts

HONORABLE MENTION
Jeff and Mike
"Dead" from Dead Outlaw
Sung by the Company
Music and Lyrics by David Yazbek and Erik Della Penna

"If I Were a Bird" from Real Women Have Curves
Sung by Aline Mayagoitia and Tatianna Córdoba
Music by Benjamin Velez and Joy Huerta

"New York" from Two Strangers (Carry a Cake Across New York)
Sung by Sam Tutty
Music and Lyrics by Jim Barne and Kit Buchan

HONORABLE MENTION
Jeff
"For the Gaze" from Death Becomes Her
Sung by Megan Hilty and the Ensemble
Music and Lyrics by Julia Mattison and Noel Carey

Mike
"Millicent's Song" from Dead Outlaw
Sung by the Julia Knitel
Music and Lyrics by David Yazbek and Erik Della Penna


FAVORITE NEW SCORE
TIE


Dead Outlaw
Music and Lyrics by David Yazbek and Erik Della Penna


Real Women Have Curves
Music by Benjamin Velez and Joy Huerta

HONORABLE MENTION
Jeff and Mike

Two Strangers (Carry a Cake Across New York)
Music and Lyrics by Jim Barne and Kit Buchan

FAVORITE ORCHESTRATIONS
TIE


Floyd Collins
Orchestrations by Bruce Coughlin


Ragtime
Orchestrations by William David Brohn

HONORABLE MENTION
Mike

Sunset Blvd.**
Orchestrations by David Cullen and Andrew Lloyd Webber

HONORABLE MENTION
Jeff

Buena Vista Social Club
Orchestrations by Marco Paguia

FAVORITE NEW BOOK OF A MUSICAL


Operation Mincemeat
Book by David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts

HONORABLE MENTION
Jeff and Mike

Dead Outlaw
Book by Itamar Moses

Two Strangers (Carry a Cake Across New York)
Book by Jim Barne and Kit Buchan

FAVORITE CHOREOGRAPHY


Buena Vista Social Club
Choreography by Patricia Delgado and Justin Peck

HONORABLE MENTION
Jeff and Mike

Death Becomes Her
Choreography by Christopher Gattelli

FAVORITE DIRECTION - PLAY

 

Danya Taymor 
John Proctor is the Villain

FAVORITE DIRECTION - MUSICAL


Lear deBessonet
Ragtime

HONORABLE MENTION
Jeff and Mike

David Cromer
Dead Outlaw

Tina Landau
Floyd Collins


** - Mike saw Sunset Boulevard in 2025 and he will consider the show for this year's review. I saw it for the first time in 2024, and I will not be considering it for any honors unless it is a new-in-2025 element.

Thursday, September 11, 2025

Broadway Games Week: What Broadway is Wearing This Season Continued...

Broadway Games Week:
What Broadway is Wearing This Season
Continued...

DIRECTIONS: Name the show each costume comes from. BONUS: Name the character(s) that are wearing them. HINT: All of these come from shows currently playing on Broadway (September 11, 2025) Good luck!

1.     2.
   

3.     4.
   

5.

6.     7.
    

8.     9.
 
   

10.       11.
   

Wednesday, September 10, 2025

Broadway Games Week: What Broadway is Wearing This Season

Broadway Games Week:
What Broadway is Wearing This Season

DIRECTIONS: Name the show each costume comes from. BONUS: Name the character(s) that are wearing them. HINT: All of these come from shows currently playing on Broadway (September 10, 2025) Good luck!

1.     2.
   

3.     4.
   

5.

6.     7.
   

8.     9.
   

10.       11.
   



Monday, June 23, 2025

Summer is Closing Time on Broadway

Summer is Closing Time on Broadway

On Sunday, June 8th, Broadway celebrated a very successful season. Attendance was up, grosses were up and a huge number of shows opened. The headlines squawked about "Broadway is Back!" and pre-Covid levels, etc. And analysts talked about grosses being inflated due to certain ticket prices, movie stars, etc. The fact is there are many reasons behind the success of the 2024-2025 season.

Similarly, there are many reasons why there are just as many - if not more - reasons for the inevitable list of failures from the same season. And again, there are many reasons behind them. But it strikes me as interesting that theater fans and pundits alike are lighting up social media with shock and disbelief that there are so many impending closures. After all, this purge happens at the end of every season. For better or worse, that is part and parcel of a Broadway show's life cycle.

Between June 8th and August 31st this year, 16 Broadway shows will have closed, that we know of as of today. Some were never intended to run beyond a set time. Others just couldn't make ends meet long enough:


June 8th Closings:
Othello - Limited engagement
Good Night, and Good Luck - Limited engagement

June 22 Closings:
Floyd Collins - Scheduled closing/economics didn't indicate extension
The Last 5 Years - Limited engagement
SMASH - Economics

June 28 Closing:
Glengarry Glen Ross - Limited engagement

  

June 29 Closings:
Dead Outlaw - Economics
Real Women Have Curves  - Economics
Stephen Sondheim's Old Friends - Limited engagement/extended
The Picture of Dorian Gray - Limited engagement

July 13 Closing:
Boop! - Economics

July 20 Closing:
Sunset Blvd. - Limited engagement/twice extended

  

July 27 Closing:
Pirates! The Penzance Musical - Limited engagement/extended

August 17 Closing:
Call Me Izzy - Limited engagement

August 31 Closing:
John Proctor is the Villain - Limited engagement/extended
Purpose - Limited engagement/extended

So if you look at the list, save for four shows, none of these closures should be a surprise. Six of them were even extended! 

Why all the doomsday talk? Is it short term memory - this happens every season? Is it lack of knowledge about scheduled closures? I think it is a little bit of both, but I also think this year's crop is a bit harder to take because most of these shows got excellent reviews and great word of mouth. And most of these shows have loud and proud fan bases, so it probably feels a bit personal. I get it. Whenever a favorite closes, whatever the reason, it hurts.

I won't go into the other factors that cause shows to close so fast. There are many and it is very complicated. But one thing remains true: sometimes, lousy shows will run and great shows will close fast. It has always been that way.

  


But there is a bright side to it all. There's a little show that was rumored to not even be opening at all - Maybe Happy Ending - which just won 6 Tonys, including the coveted Best Musical. And let's not forget Oh, Mary! which opened last summer for a "limited engagement," continues its sold out run, and is currently scheduled to close on January 4, 2026. You never can tell!
 

Friday, June 13, 2025

The 2025 JKTS Awards: Editors' Choice Part Two

 Editors' Choice, Part Two

Yesterday, we presented the first part of our 2025 JKTS  Awards honoring those theater people - new faces and familiar faces - that made the 2024-2025 Broadway season the special one that it was. Today, we offer more fun recognition for the lighter side of the season.

Spotlight Awards
  

Best Logos: 
  • Musical: Swept Away 
  • Play: Our Town
Both are visually interesting, and both perfectly captures the content, mood and themes of the shows they represent.


Extra! Extra! Broadway's Biggest Headline:
  • The Rise of Gen Z - Romeo + Juliet, John Proctor is the Villain
The youth came in droves to see both. Many came to see their favorite TV stars, but I'll bet most of them came away with much more than a stage door autograph and a photo op for social media. They got to see, in both productions, sublime acting and shows that spoke to them. As an "old guy," I loved the energy the audiences brought, and the relief that the future of Broadway is in good hands.  


Best Showstopper:
  • "Rose's Turn," Gypsy
Seeing this live in the theater is an experience I will never forget. Audra is more than an icon, she is living Broadway history. 



Best Special Effects Sequence (TIE):
  • The Memories, Maybe Happy Ending
  • The "Opening Credits," Sunset Blvd.
When I say my jaw dropped when the HelperBots connected and memories were read, I mean my mouth was actually agape. I'm pretty sure I stopped breathing.

Like many of you, as I was watching the Jamie Lloyd bare bones approach to Sunset Blvd., I was wondering how they'd do the car chase scene. Would they even do it? Well, they did, and it was a clever way to show us what we were really seeing: a movie in Norma's mind.


Sorry We Missed It: 
  • Boop!
Maybe I'm saying this prematurely, but I have a feeling I won't get to see Broadway's next big thing: Jasmine Amy Rogers. And every clip I see and hear from it makes me smile. These days, that is a big loss.

 

"I'm Still Here" Award for Longevity: 
  • Jeb Brown, Dead Outlaw
  • Bonnie Langford, Stephen Sondheim's Old Friends
Both of these outstanding performers made their Broadway debuts 51 years ago, in 1974! Brown made his debut as The Child in a revival of Cat on a Hot Tin Roof. Langford made her debut as Baby June in the Angela Lansbury-led revival of Gypsy. How wonderful that half a century later, she's back in another Sondheim show, singing "I'm Still Here."


Best Non-musical Dance Number: 
  • Final Scene John Proctor is the Villain
When Sadie Sink and Amalia Yoo began their presentation about The Crucible, the tension was palpable, and you could hear a pin drop. As it escalated into an all out dance, and more cast members joined in, the shock and awe of it all was a cathartic burst of energy on both sides of the proscenium.


Six
Award for Best Actors Playing Real-life Characters: 
  • Andrew Durand as Elmer McCurdy, Dead Outlaw
  • Natasha Hodgson as Ewen Montagu, Operation Mincemeat
  • Jak Malone as Hester Leggatt, Operation Mincemeat
  • Taylor Trensch as Skeets Miller, Floyd Collins
  • Joy Woods as Gypsy Rose Lee, Gypsy 
Brilliance all the way around! I would hope that somehow the people they were playing would heartily approve.


One Actor/Two Roles Award:
  • Tommy Dorfman as Tybalt and the Nurse, Romeo + Juliet
If I didn't see it actually happening right in front of me, I'd never believe it. They were amazing in both roles - both in type and gender. Come back soon and often, Tommy.

 

Mother Nature Award: 
  • Beauty: Redwood 
  • Wrath: Storm and shipwreck, Swept Away
Hana S. Kim's stunning video work and Jason Ardizzone-West's cutting edge scenery brought the majestic beauty of the titular trees to jaw-dropping life.

The extreme weather event that was the impetus for the events of Swept Away were a true group effort on the part of Rachel Hauck's Tony-nominated scenic design, Kevin Adam's lighting and John Shiver's sound design. If you didn't see it, you really missed something.


Suffs 
Empowerment Moment:
  • "Real Women Have Curves" Solidarity Strip, Real Women Have Curves
Somehow, people find issue with this. I found it delightful and empowering, and deserving of its mid-show ovation.

 

Death Warmed Over Award:

  • Group: The Immortals, Death Becomes Her
  • Individual: Andrew Durand, Dead Outlaw
Death was a big theme in a lot of shows this year - the word appears in the titles of TWO shows! Was immortality ever sexier and more appealing than in Death Becomes Her? And no one plays dead better than Andrew Durand in an iconic performance.

 

Best Entrance (TIE): 
  • Joe Gillis (Tom Francis) in a body bag, Sunset Blvd.
  • Princess Winnifred (Sutton Foster), Once Upon a Mattress
Emerging from a body bag? Another thing you had to see to believe. A stunning start to a stunning show.

When the princess finally makes her entrance, drenched after swimming a moat, and coming all the way from her swamp kingdom, the litany of things that emerged from her gown and hair was a joy to behold. Sutton was perfection.


Best Place to Spot a Diva: 
  • 44th Street
Come on! Audra, Joy and Tyson (not to mention Lesli) at the Majestic. Jasmine making a storied debut at the Broadhurst. Nicole in a Tony-winning turn at the St. James. And LaTanya and Kara at the Hayes. A historic embarrassment of riches.


Best Kiss of the Season:
  • Kit Connor and Rachel Zegler, Romeo + Juliet
Probably the most illegally photographed smooch in Broadway history, it was also sexy AF. 

 

Bloody, Bloody Broadway (There Will Be Blood):
  • Juliet, Romeo + Juliet
  • Joe Gillis and Norma Desmond, Sunset Blvd.
Oh, happy dagger!
Oh, violent death...she kisses his mouth...


The Kimberly Akimbo Award for Best Aging: 
  • "Millicent's Song," sung by Julia Knitel in Dead Outlaw
I loved this song, both revealing and blisteringly funny, she went from young child to grown woman in a matter of minutes. 

 

The Thenardier Award for Most Suffering Spouse:
  • Play: Mary's Husband, played by Conrad Ricamora in Oh, Mary!
  • Musical: Helen's Husband, Ernest Menville, played by Christopher Sieber in Death Becomes Her
I think the photos above say more than I could possibly come up with.


Best Abs in a Musical: 
  • Leading Role: Tom, Diego and Jimin, Sunset Blvd. 
  • Supporting Role: Jacob Dickey, Stephen Sondheim's Old Friends
I mean if you are going to die in your underwear, why not look hot doing it?

And a sexy wolf? Of course. But bare-chested in a tuxedo jacket? Woof, indeed! 


Grin and Bear It Award: 
  • The Cast of Real Women Have Curves
The hard working ladies and the men who love them are not being seen by enough people. Why??? Easily a top three musical in a crowded season of great shows, people need to see it!

 

Grin and Bare It Award: 
  • The Strippers from Gypsy: Mylinda Hull, Lesli Margherita, Lili Thomas
  • The Strippers from Stephen Sondheim's Old Friends:Beth Leavel, Bernadette Peters, Joanna Riding
Two takes on the same song in the same season (not as rare as it once was), and both hilarious for different reasons. Stopped the show at both the Friedman and the Majestic, and rightly so.

The Final 2025 JKTS Awards Tally
Between your Readers' Choice Awards and our Editors' Choice Awards, we honored 19 shows that opened this season with a whopping 79 awards!

Sunset Blvd. - 17
Maybe Happy Ending - 11
Romeo + Juliet - 6
Floyd Collins - 5
Dead Outlaw - 4
Gypsy - 4
John Proctor is the Villain - 4
Operation Mincemeat - 4
Stephen Sondheim's Old Friends - 4
Boop! - 3
Real Women Have Curves - 3
Swept Away - 3
Death Becomes Her - 2
Oh, Mary! - 2
Once Upon a Mattress - 2
Our Town - 2
Buena Vista Social Club - 1
Purpose - 1
Redwood - 1

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