Showing posts with label Jasmine Amy Rogers. Show all posts
Showing posts with label Jasmine Amy Rogers. Show all posts

Wednesday, June 3, 2026

My 2025 - 2026 Broadway Crushes (NSFW)


My 2025 - 2026 Broadway Crushes

Every season, certain actors grab my attention and I devour everything I can find about them. What draws me to them? Well, mostly it's their talent and charisma. And then there's the "how did I never hear about this person before?" and the "I can't wait to see what they are in next!" feelings as they perform in front of me. There's also that "it" factor. You know, that intangible thing that you can't put your finger on, but just know they have it. And, of course, shallow or not, I find them pretty easy on the eyes. In short, I develop a star-struck crush.

This season, there are 5 such performers (in alphabetical order to avoid favoritism) that fit that bill:

Ali Louis Bourzgui -
David in The Lost Boys 
He was fine the first time I saw him as Tommy in the revival of The Who's Tommy, and even then I knew he was going places. But this year, it was like seeing a whole new person! As David, he is smooth, suave and seductive, as any hot vampire would be. Hard rocking and dangerous with an undercurrent of pain, it would be impossible to resist his charms. But that's the character. The actor who plays the role is so sincere, humble and thoughtful about his success as a new Tony nominee. And even at such a young age, he speaks so eloquently about his craft, I can't help but admire him even more. 



Sydney James Harcourt -
The Rum Tum Tugger in Cats: The Jellicle Ball 
Every time I walk down 44th Street past the Broadhurst these days, I always pause to take a look at the poster with him staring out at passersby. Truth is, even as a decades long fan of the feline phenomenon of Broadway, I've never been really into the curious cat like many are. But in this joyous revival, the Tugger is somehow more alluring to me. He's playful and mischievous as he will do, but he's also protective and caring. What more can you ask for from a frisky kitty? But it's the actor that makes it happen, flirting with the rest of the Pride and the audience (that curtain call move is seared in my brain), with abs for days, a dazzling smile and a strut that has the whole Ball purring. I didn't even realize I saw him in Hamilton! What I like best about him is enthusiasm for the work that he and company are doing, and mostly how he represents the LGBTQIA community. He's a role model, and that alone would make him crush-worthy.



Jasmine Amy Rogers -
Queenie in The Wild Party 
After being completely mesmerized by her thrilling performance in The Wild Party, I kicked myself even harder for missing her Broadway debut in Boop! Somehow, all of the accolades and fan adoration of her seemed inadequate having finally seen her talents live. Her Queenie was a dazzling mix of contradictions: a tower of strength with many a weakness, an immense talent stifling in a nowhere world full of abuse and phony friends. By all accounts - and a wonderful social media presence, too - the actress is the real thing, a true triple-threat. I also hear that she's something else in her current role in the revival of The 25th Annual Putnam County Spelling Bee. She's got my attention for sure!

Constantine Rousouli -
Jack Dawson in Titanique 
I first saw him some 14 years ago in the original cast of Ghost: The Musical, but to be honest I don't remember him specifically, though I remember finding the entire company to be terrific. Over the years, he's played two of Broadway's biggest heartthrobs: Fiyero in Wicked and Link Larkin in Hairspray. One can't have those roles without a natural charm and sex appeal, so it makes total sense that in the heightened reality of Titanique that those attributes explode and fill up the the vast space of the St. James Theatre! With his beautiful smile, giant muscly thighs that fill those impossibly tight Jack Dawson pants, and an amazing gift for comic timing, I struggled to see anything else on the stage. But I also find artists with a razor sharp sense of humor and an honest sense of gratitude for everything they've become truly intoxicating. This Tony-nominee (and Olivier Award-winner) has all of that (and more), a combination as rare as the Heart of the Ocean.



Sam Tutty -
Dougal in Two Strangers (Carry a Cake Across New York) 
Okay, cards on the table. Gingers with a boyish smile and a British accent are my complete weakness. But the deeper truth is, all that gets my attention; it's everything else that keeps me interested. Like most people on this side of the Atlantic, I first came across him in clips from the West End Dear Evan Hansen, and even from just those videos, I knew I wanted to see him on Broadway. My wish was granted, and his utterly charming (and Tony-nominated) star turn as the endlessly optimistic burst of sunshine makes me smile every time I think about it. That magnetic presence definitely carries over in all of the interviews I've seen him give. May that cheeky grin with a voice that charms and ultra-positive attitude return to Broadway every chance he gets.
 

Monday, July 14, 2025

One That Got Away: Boop! The Musical

One That Got Away:
Boop! The Musical

As I write this, they probably haven't even started the load out of Boop! The Musical at the Broadhurst yet. But that doesn't mean I'm not already disappointed that I missed it, because I am. I have many reasons why it happened - too many shows opened, not enough time to see everything, etc. Maybe I missed it because I don't know that much about Betty Boop, but that's a flimsy excuse. I knew next to nothing about Buena Vista Social Club or Operation Mincemeat, but I still managed to see them. Perhaps the closest to the truth is because I don't have a good history with comics turned musical - I hate Annie with a passion, and maybe the less I say about Spider-Man: Turn Off the Dark the better. (I've seen both of those several times...)

 



But there are many reasons why I regret not paying a visit to see Betty. First, everything I've seen and heard about it looks like a lot of fun, traditional musical at its finest. Second, I am a huge fan of Jerry Mitchell - I've rarely missed one of his shows. His choreography is never less than exceptional. Finally, and probably the biggest regret I have is that I will never be able to say I saw the Broadway debut of star-in-the-making, Jasmine Amy Rogers. I have every intention of seeing everything else she does. 




Boop! The Musical began its 25 previews on March 11, 2025 at the Broadhurst Theatre, where it opened on April 5, 2025. It closed on Sunday, July 13, 2025 after 112 performances. The show was nominated for three 2025 Tony Awards: Best Choreography (Jerry Mitchell), Best Costume Design of a Musical (Gregg Barnes) and Best Actress in a Musical (Jasmine Amy Rogers). Ms. Rogers won a Theatre World Award, an Outer Critic Circle Award, and a Drama Desk Award for her performance.

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