Showing posts with label Take Me Out. Show all posts
Showing posts with label Take Me Out. Show all posts

Tuesday, March 1, 2022

Looking Forward to Spring: March - May 2022

Tomorrow, it will have been exactly two years since I last posted a "Looking Forward to..." quarterly column. What is interesting about looking back at that is seeing that in recent months I actually got to see a few of them, and am looking forward (as you'll see) to seeing a few of them. Given everything that has happened in the past two years, it is wonderful to see that many of those shows are still around, while mourning the loss of a few. 



Looking Forward to Spring:
March - May 2022

As we normally do, before we look ahead, we look back at what we did see. And we were very, very fortunate, with a series of amazing shows: Caroline, Or Change (C+), off-Broadway's Emmet Otter's Jug Band Christmas (A), The Music Man (A), the new version of Harry Potter and the Cursed Child (A+), Six (A+), a second trip to Jagged Little Pill (A+), and two absolutely stunning Sondheim revivals, Company (A+) and Assassins (A++). That's a very solid A average, which is the best way to get back to the art that we love!

This spring certainly looks like it'll be a super busy one, and here are nine shows we are excited to see over the next three months.

Broadway Plays:

The Minutes
(Broadway - Studio 54) -
A holdover from before times, the cast is aces, to subject matter timely, and its a new-ish work from Tracy Letts. I really hope we get to this one!







Neil Simon's Plaza Suite
 (Broadway - Hudson Theatre) -
Okay, if we are being honest, I can take or leave Matthew Broderick, but I do enjoy Sarah Jessica Parker, and Simon revivals are few and far between lately. He's one of my favorite playwrights, so it's on the list.





Take Me Out
 
(Broadway - Hayes Theatre) -
Another show from before times, this past two years have only made me want to see it more. I've seen it regionally years ago, and it's a solid work. Really looking forward to seeing a Broadway-level production.





Broadway Musicals:

Funny Girl
(Broadway - August Wilson Theatre) -
I think people believe this is a show that is better than it actually is, but they are blinded by the legendary star-turn of one Barbra Streisand. And though the score is pretty good, with a few real classics, the book is, to be nice, dull. Well, thankfully Harvey Fierstein is doctoring it, so that has great potential, and Michael Mayer is at the helm, so it could be staged in a really cool way. Beanie Feldstein has huge shoes to fill, but I'm optimistic, and I'm always up to seeing Ramin Karimloo.


MJ: The Musical
(Broadway - Neil Simon Theatre) -
I want to hear the music and watch the dancing. I'm a child of the 80s. That's it.







Mr. Saturday Night
(Broadway - Nederlander Theatre) -
I've never seen the movie, and frankly these "make any movie into a musical" musicals are really hit or miss. For every Once and The Band's Visit there's two or three Tootsies it seems. But here's why I'm looking forward to this one: Jason Robert Brown's score and the cast. I've always liked Billy Crystal and David Paymer, and, well, what's not to love about Randy Graff and Shosha Bean?


Mrs. Doubtfire
(Broadway - Stephen Sondheim Theatre) -
I meant what I said above about 
these "make any movie into a musical" musicals. But we already had tickets for it, which were cancelled when Covid hit the cast. It's probably the lowest on our list, but if we make it, Rob McClure never disappoints.




Paradise Square
(Broadway - Barrymore Theatre) -
As you probably know, the sharks are circling the blood in the water that comes with this one. Most of it is aimed at the show's producer, Garth Dabrinsky, a bad man by all accounts. But let's not forget that he did bring us Best Musicals Fosse, and Kiss of the Spider Woman, Best Musical Revival Show Boat, and the much beloved Ragtime and Parade. The story sounds great, and I'm dying to see Jaoquina Kalukango in action. If you read this site even semi-regularly, you know I love challenging shows most of all, success or flop!

A Strange Loop
(Broadway - Lyceum Theatre) - 
What else is there to say? this is the one I'm looking forward to the most. I simply cannot wait. Bring it on! 

Monday, March 2, 2020

Looking Forward to Spring: March - May 2020

Hopefully, the cold of winter will soon give way to warmer sunny days and the first blossoms of spring. As usual, no matter the weather outside, the Broadway theater scene always heats up at this time of year.  In fact, this spring will bring a very exciting roster of TEN new shows we are looking forward to over the next 92 days.

But before we take a look at what's ahead, let's see how the shows of winter did. We saw just four productions, but they were all good to excellent: Jagged Little Pill (A+), Emojiland (A), a re-visit to Mean Girls (B-), and West Side Story (A++). That's a solid A average. We'll take it!



LOOKING FORWARD TO SPRING
March - May 2020
(In the order we'll be seeing them)


Mrs. Doubtfire (on Broadway at the Stephen Sondheim Theatre): As if its being based on one of my favorite films wasn't enough, it has one of my absolutely favorite actors in the title role, too. But is Rob McClure enough to make yet another film adaptation (not to mention another guy in a dress show) interesting?



Sing Street (on Broadway at the Lyceum Theatre): Another film adaptation, true. But it is based on a small, independent movie, and those seem to do quite well (Once, The Band's Visit, Kinky Boots). And we are obsessed with the video they released for their song "Up." I'm really excited for this one.



Girl From the North Country (on Broadway at the Belasco Theatre): The mixed-to-negative comments on the chat boards have me very leery about this one. I was looking forward to it more before the previews started. Still, it was a bit of a sensation off-Broadway and in London...and I tend to love darker shows, so who knows? Maybe I'll love it! After all, I liked that other Bob Dylan show...



Six (on Broadway at the Brooks Atkinson Theatre): Will the hype kill this one for me? Could it possibly be as great as everyone says? The fandom for this one is crazy. Well, I'm pumped! I hope I really lose my head over this one.



Caroline, or Change (on Broadway at Studio 54): Missing the original production is still one of my biggest regrets. I am thankful for this second chance, and can't wait to see the acclaimed performance of Sharon D. Clarke. The rest of the cast is pretty darned exciting, too.



Flying Over Sunset (on Broadway at the Vivian Beaumont Theater): Proof that preview videos work, I am now very much looking forward to seeing this show! The cast, the title song, a Tom Kitt score? I'm ready to fly!



Company (on Broadway at the Bernard B. Jacobs Theatre): They had me at the logo. Patti. Katrina. A who's who of A list Broadway talent. Sondheim. No brainer.



Who's Afraid of Virginia Woolf? (on Broadway at the Booth Theatre): Here's a classic American play that I can't believe I've never seen. And with Laurie Metcalf? How could we miss it?



Take Me Out (on Broadway at the Helen Hayes Theatre): The first time this show was on Broadway, I missed it. This time around, I am not making the same mistake. And the cast that has been announced so far is exciting, too!



Hair (regional at Signature Theater, Arlington, VA): I'll bet that this is the show Mike is most looking forward to - I know he loves it. I am, too, and Signature Theater rarely disappoints.

Lots to look forward to over the next three months. It'll be interesting to see which one we end up loving or hating. Or even worse, which ones are just meh.

#2285

Tuesday, February 5, 2019

The Broadway Boys: Mr. February 2019: Frederick Weller

Back in December, we honored the wonderful Gideon Glick as our man of the month. Currently co-starring with Mr. December in To Kill a Mockingbird is Frederick Weller, who plays a wretched human being in the facially charged courtroom scenes. His is a tough job - he must be angry, nasty and generally horrifying, and completely believable while doing so. And, boy was he! I've long enjoyed his career, taking on a variety of meaty roles. He's also enjoyed a very successful film and television career. Weller is definitely a hard (and often) working actor. Seems he always finds time return to the stage, in L.A. and off and on Broadway. His resume alone makes him the perfect Mr. Broadway February 2019.






BROADWAY BOYS
February 2019
To Kill a Mockingbird's Frederick Weller

HEAD SHOTS AND CANDIDS



with Brian J. Smith

with Daniel Sunjata


with his wife, Ali
(and above)

GETTING TO KNOW FREDERICK WELLER
Birth Date: April 18
Birthplace: New Orleans, Louisiana
Education: University of North Carolina at Chapel Hill, The Julliard School
Select Theater Credits: Broadway: Six Degrees of Separation (debut), The Rehearsal, The Little Foxes, Take Me Out, Glengarry Glen Ross, Seascape, Mothers and Sons, To Kill a Mockingbird; Off-Broadway: The Money Shot, In a Dark Dark House, Reasons to Be Happy, Take Me Out, I'm Getting My Act Together and Taking It on the Road, Fulfillment Center, Some Men; Regional (L.A.): A View from the Bridge

REGIONAL




OFF-BROADWAY




















 BROADWAY
















#2000
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