40 Years of Broadway: 1983-1993:
The Standout Performances
Over the years, I've had the great privilege of seeing some of the greatest performers in Broadway history. Some I've caught at the end of their career, while others I've seen at the peak of their careers. Probably my favorite scenario, though, is seeing a fresh new talent and recognizing early on that they are going to be big. And so, in mulling over the past 40 years of performances, I had a great deal of trouble narrowing down the list of "standouts."
Below are the 20 performers who gave truly remarkable performances from August 20, 1983 - August 19, 1993. I'm sure there are many other worthy star turns, but of course, I can only share those I saw! Let me know if I missed any of your favorites!
Standout Actors
Scott Bakula as Alfred/Sam | Romance Romance |
one star, two roles in two musicals; sophisticated, suave with star power that pretty much blasted off the stage |
Keith Carradine as Will Rogers | The Will Rogers Follies |
the very definition of a triple-threat performance, he was utterly charming; Will would have been pleased |
George Hearn as Albin/Zsa Zsa | La Cage aux Folles |
one of the greatest performances - historic, really, his transformation from Albin to Zsa Zsa was like witnessing a miracle, his "I Am What I Am" was a galvanizing tour de force battle-cry |
Michael Jeter as Otto Kringelein | Grand Hotel |
another one of the truly great performances I have ever witnessed, his sweet charm and bravery in the face of death caused a lump in my throat from his first entrance to the curtain call |
Robert Lindsay as Bill Snibson | Me and My Girl |
I'd have sworn the man was made of rubber, so fluid was his movement; a voice to make you swoon, a master of comic timing, and enough charm to woo the entire theater |
Terrence Mann as Inspector Javert | Les Miserables |
everyone was gaga for Colm, but I couldn't take my eyes off of him, rigid and principled with an aching vulnerability. Are villains supposed to make you cry? |
Howard McGillin as John Jasper | The Mystery of Edwin Drood |
a Dickensian villain with charm, wit, and sinister sexuality, and one of the great Broadway voices |
Con O'Neill as Mickey Johnstone | Blood Brothers |
fierce and heartbreaking; believable as a sweet young boy, and as an angry, troubled young man |
Martin Short as Elliot Garfield | The Goodbye Girl |
comic timing, brilliant physical comedy and a booming singing voice; a winning match with a delightful Bernadette Peters |
BD Wong as Song Liling | M. Butterfly |
a mesmerizing mix of sensuality, mystery and exotic strength. Beautifully shocking. |
Standout Actresses
Betty Buckley as Edwin Drood | The Mystery of Edwin Drood |
missed her in Cats, but this more than made up for it; funny, arrogant and that voice! I remember that very last note she belted in "The Writing on the Wall" like it was yesterday |
Joanna Gleason as The Baker's Wife | Into the Woods |
absolutely brilliant in every regard, no one has played the role better for nearly 35 years |
Randy Graff as Oolie/Donna | City of Angels |
she may have won the Tony for Les Miz, but she was incredible in this witty, sassy turn - she was gold in musical comedy and film noir |
Jane Krakowski as Flaemmchen | Grand Hotel |
she was so utterly captivating I am pretty sure I missed a lot the first time I saw the show; a heartbreaking but ultimately charming performance that definitely foreshadowed the great things to come |
Angela Lansbury as Mame Dennis | Mame |
I've said it before, I'll say it again: this performance changed my life; there are no words... |
Linda Lavin as Kate Jerome | Broadway Bound |
at the time, I only knew her from TV's Alice, so I wasn't prepared for this meticulously detailed, fierce performance |
Patti LuPone as Reno Sweeney | Anything Goes |
everything about her performance screamed "Diva!" No one has ever sung this role better, period. |
Bebe Neuwirth as Nicki | Sweet Charity |
if you've ever been immediately smitten with a performer, then you know how I felt seeing her in this show - and man, can she do those Fosse moves.... |
Chita Rivera as Aurora/Spider Woman | Kiss of the Spider Woman |
she was the embodiment of "star quality" in a role that demanded it, but she was so much more; no one smoulders and tempts like she does |
Mercedes Ruehl as Bella Kurnitz | Lost in Yonkers |
this may actually be the best Broadway performance I saw in the first ten years; her beautiful performance has stuck with me all these years, and I think of it often when I feel as misunderstood and frustrated as her Bella did |
Contest Question #1:
Of the 20 Standout Performances above, how many happened in shows written by Neil Simon?
Keep reading our 40 years of Broadway articles, and keep track of the contest questions and answers, and when it's all over, you can win prizes! Details coming soon, but keep track starting NOW!
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