The fall Broadway season has been a pretty busy one for musicals this year. The newest of them, Swept Away, has one of my favorite logos. Everything about it intrigues me. I can say for sure that I am not alone in feeling this way. When I saw it just over a week ago, several people stopped to look at it outside the Longacre Theatre, including the three people who asked me to take their picture with it. (More about that in a future article.)
2024 - 2025 Broadway Musical Logos:
Swept Away
So why am I (and others) drawn to it? Lets start with the title and tagline. I really love the font they used - an old-fashioned font that feels both 19th Century nautical - penny dreadful-ish and bold and gallant. The parchment color and texture they used fits the overall color scheme and really stands out. And the tagline, "A New Musical Tale," works in the typical "a new musical" way, and by adding "tale," it entices with the inferred adventure and mythic feel the piece seems to be going for.
The colors of the rest of the key art are as eye-catching as the title, and that color is used to highlight the rest of the image. The sea green-blue and black combine to offer a sort of two-tone pen and ink feel. The color choice definitely fits the seafaring theme, while the pen and ink style with extreme detail and realism is a great representation of the very way a late 19th Century story might be told in newspaper accounts of the time. Think back to the time before photographs accompanied titillating stories of heroism and epic adventures. The central image depicts the four characters at the height of their misfortune, tempest-tossed and facing their fate in a tiny lifeboat in an overwhelming gigantic sea. All of this looks so compelling, I can tell you that it did, in fact, impact my personal choice to purchase tickets.
TOP: Little Brother (Adrian Blake Enscoe), Big Brother (Stark Sands)
BELOW: Captain (Wayne Duvall), Mate (John Gallagher, Jr.)
Grade: A+
No comments:
Post a Comment