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BROADWAY RETURNS: Chicago, The Lion King, Hamilton and Wicked - Resume 9.14.21 Come From Away - Resumes 9.21.21 Moulin Rouge! - Resumes 9.24.21 Aladdin - Resumes 9.28.21 Tina - Resumes 10.8.21 Ain't Too Proud - Resumes 10.16.21 Jagged Little Pill - Resumes 10.21.21 The Phantom of the Opera - Resumes 10.22.21 Dear Evan Hansen - Resumes 12.11.21

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Tuesday, November 10, 2020

The White House on Broadway

Like everyone we know, we were glued to out devices keeping tabs on the election and our new president. Broadway (judging by Twitter alone) was right there with us. Broadway shows don't shy from politics: Think 1776, Hamilton, and how they portrayed the Founding Fathers (including several presidents). 

The Best Man is a play all about a fictional president. Have any other presidents been musical-ized by themselves? Yep! Today we'll take a quick look at two musicals about presidents and one about the White House itself. What you'll see is that to date, American Presidents haven't done that well as musicals, & in all cases, the shows were created by really incredible people despite their lack of success.


Bloody Bloody Andrew Jackson
(2010)
RUN: 26 previews, 94 performances Opening Night: October 13, 2010 Closing: January 2, 2011
CREATIVES: Alex Timbers (book, direction); Michael Friedman (music/lyrics)
NOTABLE CAST: Benjamin Walker, Bryce Pinkham, Kristine Nielsen, Greg Hildreth
THE PRESIDENT: A considerably more successful show off-Broadway, this exciting (and short) show was all about the, uh, troubling populist president Andrew Jackson. Even the house was fully done up (I still occasionally have weird dreams about the house overhead...).










Teddy and Alice
(1987)
RUN: 11 previews, 77 performances Opening Night: November 12, 1987 Closing: January 17, 1988
CREATIVES: Jerome Alden (book); John Philip Sousa (music), Hal Hackaday (lyrics); John Driver (director)
NOTABLE CAST: Len Cariou, Beth Fowler, Richard H. Blake (as a small child!), Nancy Opel, Karen Ziemba
THE PRESIDENT: A traditional patriotic, splashy musical about Teddy Roosevelt and his troublesome daughter, Alice. Using the classic music of John Philip Sousa, I can tell you the music was not the problem here. With a tagline of "An American Musical," the show was huge and meant to be an answer to the growing list of Broadway mega-musicals. I though it was fun and really entertaining, if hopelessly old-fashioned. Len Cariou was wonderful. And I'll never forget the giant White House facade which opened to reveal a stunning mansion set.

Speaking of the White House...


1600 Pennsylvania Avenue
(1976)
RUN: 13 previews, 7 performances Opening Night: May 4, 1976 Closing: May 8, 1976
CREATIVES: Alan Jay Lerner (book, lyrics); Leonard Bernstein (music); Gilbert Moses and George Faison (direction)
NOTABLE CAST: Ken Howard, Patricia Routledge, Beth Fowler, Walter Charles
THE PRESIDENT: Actually, the president's house in this case. Even icons have weak moments. How else could you explain the failure of the show? Maybe the country was suffering from bicentennial fatigue? Maybe we just didn't want to hear any more about the White House after the whole Nixon/Watergate thing? Of course, it could be the subtitle: A Musical About the Problems of Housekeeping. I'll just leave that there.




Interesting fact: both Beth Fowler and an ensemblist named John Witham appeared in both Teddy and Alice and 1600 Pennsylvania Avenue.

#2444

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