Showing posts with label 2014 - 2015 Season. Show all posts
Showing posts with label 2014 - 2015 Season. Show all posts

Thursday, June 25, 2015

THEATRESCENE THURSDAY: Your Broadway Musical Report Card

Last week's Trendsday Poll asked you to grade all of last season's new musicals and musical revivals. Almost 150 of you took on the challenge of being an armchair critic, and here are your results!  I included your average grade (naturally!), the range of grades you gave (very telling), the percentage of you who didn't see each show, along with my grade (since I didn't review shows for awhile last season).  All-in-all, you and I were pretty in sync!  And, for the most part, I think we were in line with the general critical and box office response to the shows.

See for yourself:

NEW MUSICALS
SHOW
YOUR AVG.
GRADE
GRADE
RANGE
DIDN’T SEE
THE SHOW
JEFF’S
GRADE
Holler If Ya Hear Me
D
C+ - F
60%
n/a
The Last Ship
A-
A - B
0%
A
Honeymoon in Vegas
B
A+ - B-
12%
B
An American In Paris
A-
A+ - B-
0%
A-
Finding Neverland
A-
A+ - C-
13%
A+
It Shoulda Been You
C
B - C-
13%
C-
Fun Home
A+
A+ - C
0%
A+
Doctor Zhivago
F
C - F
30%
D
Something Rotten!
A
A+ - B
0%
A
The Visit
A
A+ - D+
20%
A+

  • Interesting that a bunch of us theater lovers generally felt the same way about these shows as the critics, with the notable exceptions of The Last Ship and Finding Neverland.
  • I think our range of grades for The Visit speaks clearly to the controversial, challenging nature of this show. Unfortunately, this is why we are far from a time when the masses will embrace such shows.
  • I'm guessing that you are faithful readers because, on average, we see eye-to-eye on shows?  My grades were close to your average! (For those of you who asked, my comments about not fully reviewed shows are at the bottom of today's blog...)

NEW MUSICAL REVIVALS
SHOW
YOUR AVG.
GRADE
GRADE
RANGE
DIDN’T SEE
THE SHOW
JEFF’S
GRADE
On The Town
B+
A+ - C+
0%
B-
Side Show
A
A+ - B
0%
A-
On the Twentieth Century
A-
A+ - F
0%
D+
Gigi
B-
A+ - C-
15%
B
The King and I
A
A+ - C
0%
A
  • Again, we were consistent with each other, though we liked Gigi  more than the critics and On the Town slightly less.
  • The range of grades on On the Twentieth Century is very interesting.  More of you loved it than not, but I'm not alone in thinking it was more train wreck than express!
My thoughts on unreviewed shows:


  • Honeymoon in Vegas: Very enjoyable, traditional musical.  Funny and tuneful with good dancing.  Tony Danza was decent; Brynn O'Malley did everything she could with an underwritten part; Nancy Opel chewed the scenery just a bit too much for my tastes.
  • An American in Paris: The best dancing Broadway has seen in years, and the staging was smooth and flowing. Book was nicely emotional, but didn't know when to end it.  Show dragged in Act Two, especially after the title ballet.  I don't get why people felt the scenery was so stunning - I found it drab and too small.  The dancers were at the top of their form, but leads were either great dancers and lousy actors, or just the opposite.  Notable exceptions were the superb Max von Essen and Jill Paice.
  • Finding Neverland: I loved almost every single minute of it! I found the entire production enchanting, and found the modern edge to the score and Mia Michael's choreography to be an exciting juxtaposition to the "historic" period of the story.  Loved all three leads, the boy who played Peter.  Hated the fairy joke, the Cheers joke, and the "what the fuck" joke, all three of which pulled me out of the story. I was a crying mess at the end.  Can't wait to see it again!
  • It Shoulda Been You: Funny in spots, nicely staged, and a cast that was excellent with material that as sit-com level as best.   The score was serviceable and, again, funny in spots. 90 minutes felt like 3 hours, though. It would have been cheaper to stay home and watch TV.  At least there are commercials!
  • Fun Home: My new Next to Normal. Superb in every way, and even better than off-Broadway. Alison Bechdel is a true hero. Laughter through tears will always be my favorite emotion.
  • Doctor Zhivago:  The best thing about this loud, boring and unnecessarily gory mess was the table.
  • Something Rotten!: A riot, with great scenery and costumes.  The cleverness wears a little thin at times, but overall, it was a great combination of old school traditional and modern smart humor.  Casey Nicholaw sure knows how to stage this kind of show - the dancing was as exhausting to watch as it must be to perform! The main cast is excellent (with special love for John Cariani, Christian Borle and Heidi Blickenstaff - who needed more to do!) and one of the best ensembles of the season,
  • The Visit: This is EXACTLY the kind of show I love!  You have to think, it draws you in and keeps you there - John Doyle was in top form!  Chita was sublime, and the company superb - I had no problem with Roger Rees.  And the score!  A masterpiece by the masters.  Like most of their shows (especially like The Scottsboro Boys) this last entry by Kander and Ebb will be embraced by the masses about 20 years from now when they catch up to its brilliance.


  • On the Twentieth Century: I love me some Kristin Chenoweth, but, really... how does she stay so thin when she eats so much scenery 8 times a week?  Overwrought, decidedly un-funny, and a score that was remarkably droning.  When the best thing about a show is 4 tap dancing porters on a stage full of Broadway's best talent, it says a lot about how bad the show is.
  • Gigi: I found it to be a pleasant surprise.  Not great, but not bad, either.  Did I go in with low expectations?  Yes.  I thought Vanessa Hudgens was very good, and hope this won't keep her from trying another show. Dee Hoty was good, too, and Corey Cott was hot to look at but only good, too.  Howard McGillin was terrific, but way underutilized.  Victoria Clark, as always, was sublime.
  • The King and I: Visually stunning for both its initial excess and later minimalism, it is the epitome of the adage, "They just don't write them like this anymore."  Kelli O'Hara as, as always, superb, if subdued, and her chemistry with Ken Watanabe was palpable from the back row of the mezzanine.  Ruthie Ann Miles was excellent and Tony-worthy.  I do have to say, though, that Catherine Zuber's costumes and Christopher Gatelli's choreography, while lovely to look at and superbly executed, were not new in any way.  Just look at pictures from previous productions. That they were both Tony nominated (and she won!) is disappointing.  I guess there is excellence in quantity alone?  And if Jerome Robbins were alive today, there'd be a law suit over "Small House of Uncle Thomas." Still, I can't argue that this revival was truly excellent overall.
Here's to an exciting 2015 - 2016 season!

Jeff

Thursday, June 11, 2015

THEATRESCENE THURSDAY: Tony Wrap Up

This will be the last blog about the 2015 Tony Awards from me.  I hope. Time to close the book on those... But first!

TheatreScene image of the week:


This is how you make lemonade out of lemons!  Or is it tomato juice out of tomatoes?

Poll Results: What YOU did for the Tonys:


Last week, almost 200 of you answered the three mini-polls that asked about how you were watching the Tonys:

How are you watching the Tony Awards?
  • 72.73% : Watch as it happens live (This is what I did.)
  • 18.18% : Catch highlights on You Tube
  • 9.09% : DVR them to watch later
It doesn't surprise me that none of you theatre fans said you weren't watching, but I am mildly surprised that more than a quarter of you weren't watching them live.  I suppose more and more people will be DVRing them in the coming years.

Who are you watching the Tony Awards with?
  • 36.36% : All by myself. (This is usually me...)
  • 36.36% : My family watches together.  (The teenage me is jealous!)
  • 27.27% : I'm having a party with all of my Broadway fan friends! (I sorta did this... Mike and I watched while having soda and snacks.)

What are you looking forward to the most at this year's Tony Awards?
  • 44.44% : I can't wait to see who wins!
  • 44.44% : I can't wait to see the numbers from this year's musicals!
  • 11.11% : I can't wait to see what Kristin and Alan do is the hosts!
Interestingly, not one of you picked any of the other three choices: I can't wait to see the opening number (turns out there wasn't much of one until the Something Rotten! segment): I love the emotional winners speeches (there were plenty, and some funny ones, too!); I can't wait until they are over - I'm sick of hearing about them! (Well, it all leads up to this moment, right? How could you be sick of them?). Count me among the "can't wait to see who wins" crowd.

As for the awards themselves...

Both Mike and I were both 65% right on our Tony predictions.  We can't really quibble about any of the ones we got wrong, really, since the people we didn't pick were all really wonderful.  And we were both very relieved and grateful that Fun Home won!

Poll Results: How YOU rated this year's Tony telecast:


How did Alan and Kristin do?
  • 42% : I miss NPH!
  • 26% : They were okay, I guess.
  • 21% : They were great! Bring 'em back next year!
  • 11% : They should stick to acting.
I fall somewhere between they were great and they were okay.  Considering how much " NPH as Tonys Host is getting tired" chatter I was hearing last year, I'm surprised at your top answer.  Guess we don't miss a good thing until it's gone, huh?

What was the biggest surprise of the evening?
  • 58% : Ruthie Ann Miles winning
  • 16% : The complete shut out of On The Twentieth Century
  • 11% : Christian Borle winning
  • 11% : Fun Home winning
  • 5% : The complete shut out of On the Town
None of you were at all surprised at the victorious Michael Cerveris or Kelli O'Hara!  I was just as surprised (though happy for her) at Ruthie Ann Miles' win, and I admit to being satisfied (and not really all that surprised) that On the Twentieth Century went home empty-handed,



Who gave the best speech of the evening?
  • 57% : Kelli O'Hara
  • 16% : Ruthie Ann Miles
  • 11% : Alex Sharp
  • 1% EACH : Annaleigh Ashford, Michael Cerveris, Sam Gold and Dame Helen Mirren
Who can resist seeing "the Worm"??  And we saw the future of prepared speeches with Ruthie's cell phone reading.  Recycle!!!


The best performance on the show was...
  • 53% : Fun Home (I agree!)
  • 21% : Something Rotten! (A close second for me, too.)
  • 6% : Finding Neverland (Harvey would be pleased!)
  • 5% EACH : The King and I, On the Twentieth Century, An American in Paris, and the In Memoriam segment featuring Josh Groban.
Apparently, Gigi, On the Town, It Shoulda Been You and Jersey Boys were underwhelming to all of us.  Gigi  has already posted a closing notice, and I've heard the other three aren't that far behind.  Is 10 years finally enough of Frankie and the guys? I hope so... I hate that show...


Which shows should generate the most tickets sales based on their Tony Awards performance?
  • 25% : Something Rotten!
  • 23% : Fun Home
  • 15% : The King and I
  • 13% : It Shoulda Been You
  • 8% : Finding Neverland
  • 6% :  An American in Paris
  • 6% :  On the Town
  • 4% :  Gigi
  • 2% : On the Twentieth Century
Considering how you shut out It Shoulda Been You for best performance, I think it is nice of you to think it still was impressive enough to earn more at the box office.  What was it? Tyen? Lisa? The cheap vulgarity? You have to admit, it showcased exactly what worked and what didn't in that show.

Thanks to all of you who participated!

Finally, I know I promised a look back at The Producers for last week's Flashback Friday, but I got to thinking... 13 Tonys and 2,502 performances is really all the recognition it needs 15 years later. Plus, I hated that show with a passion.  Sorry to disappoint... :-)

Jeff

Monday, June 8, 2015

TRENDSDAY POLL (On Monday!): Rate the 2015 Tony Awards!

I figured that this poll was a little  more time sensitive than most, so I moved this week's Trendsday Poll to today.  (Media Monday will be on Wednesday!)

So, I enjoyed The Tony Awards, the show and the winners, better than I have in recent years.  Of course, just like most years, there were some exciting surprises, a few disappointments, and a couple of cringe-worthy moments, too... (Larry David, I'm looking at YOU.)

What did you think?  Answer the 5 questions below, using the scroll bar on the right side of the survey box to move through the questions,  Then be sure to click "Finish Survey" to make your vote count!  Thanks for being a part of  the blog.



Jeff

Friday, June 5, 2015

Jeff and Mike's 2015 Tony Awards Predictions

As has become tradition, Mike and I offer our predictions for the winners of the Tony Awards.  This year, we streamlined it, naming only who we think will win, not who we hope will in, and limiting our comments to three categories of our choosing.

This season, we saw every nominee in all of the musical categories (including Best Choreography nominee Scott Graham and Stephen Hoggett's work in The Curious Incident of the Dog in the Night-Time). We agreed, for the most part, on what we liked and didn't like, with a few differences (An American in Paris, for example - I liked it much better than he did...).  Overall, though, I think we agree that this season was full of award-worthy shows and performances.  In almost all of the musical categories, I think it is safe to say that any one of the nominees is a potential winner.  A lot of these were difficult to choose; I'd love a tie or two!

JEFF’S TONY PICKS
                                      MIKE’S TONY PICKS
BEST MUSICAL
Fun Home
Fun Home
Mike says: This is what I'm hoping for, anyhow, and I think it has a great chance of winning. If it doesn't, it'll be An American in Paris, which frankly left me extremely unimpressed.
Jeff says: I really hope that Fun Home wins. Of the four nominees, An American in Paris was my least favorite, though I enjoyed it and recognize its artistry. This could end up being another Next to Normal – Billy Elliott or Urinetown – Thoroughly Modern Millie situation.
BEST REVIVAL OF A MUSICAL
The King and I
The King and I
BEST DIRECTION OF A MUSICAL
 Sam Gold
Fun Home
Sam Gold
Fun Home
BEST CHOREOGRAPHY
 Christopher Wheeldon,
An American in Paris
Christopher Wheeldon, 
An American in Paris
BEST BOOK OF A MUSICAL
Lisa Kron
Fun Home
Lisa Kron
Fun Home
BEST SCORE WRITTEN FOR THE THEATRE
Jeanine Tesori (Music), Lisa Kron (Lyrics)  Fun Home
Jeanine Tesori (Music), Lisa Kron (Lyrics)  Fun Home
BEST ORCHESTRATIONS
Christopher Austin, Don Sebesky, 
Bill Elliott
An American in Paris
Christopher Austin, Don Sebesky, 
Bill Elliott
An American in Paris
BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICAL
Brad Oscar
Something Rotten!
Brad Oscar
Something Rotten!
BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICAL
Judy Kuhn
Fun Home
Sydney Lucas
Fun Home
Mike says: My personal choice would be Judy Kuhn, who makes an incredible impression with a small-ish part. But I think the ubiquitous 11-year-old Lucas will take the prize, which I'm also totally happy with. 
BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICAL
Michael Cerveris
Fun Home
Michael Cerveris
Fun Home
BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICAL
Kristin Chenoweth 
On the Twentieth Century
Kelli O’Hara
The King and I
Mike says: It's a toss-up between O'Hara and Kristin Chenoweth (I don't think Chita has much of a chance, much less Beth or Leanne). I guess I'm picking my sentimental favorite here; if I were actually betting on it, I might go with Kristin.
Jeff says: Perhaps Kelli will finally get her long overdue award, possibly to make up for last year.  But, as wonderful as she is, she’s not the best Anna Broadway has seen. Even though I hated On the Twentieth Century, even I can recognize that Kristin is giving a tour de force performance by most standards.  I know it isn’t a popular opinion, but I thought she was superb in Promises, Promises – much better than she is in Twentieth Century.
BEST SCENIC DESIGN OF A MUSICAL
Bob Crowley and 59 Productions
An American in Paris
David Zinn
Fun Home
Jeff says: I really hope Mike is right on this one, as Zinn’s design matches the entire production so perfectly, and it solves the Circle-in-the-Square space issues.  I really admire Yeargan’s design for The King and I, too, for the exact same reasons, but I think it says something when design choices have to be explained in the program. But I can totally see the voters going for Paris because it incorporates those always hard-to-classify projections. (There really needs to be a separate category for those!)
BEST COSTUME DESIGN OF A MUSICAL
Gregg Barnes
Something Rotten!
Gregg Barnes
Something Rotten!
BEST LIGHTING DESIGN OF A MUSICAL
Donald Holder
The King and I
Ben Stanton
Fun Home

What do you think of our choices?  How do our picks compare to yours?  Let us know! Email: jkstheatrescene@yahoo.com; Twitter: @jkstheatrescene; or leave a comment below!

Jeff
Related Posts Plugin for WordPress, Blogger...