Friday, November 15, 2013

Broadway Ladies: Ms. November 2013: Little Miss Sunshine's Stephanie J. Block

Ms. November 2013
Stephanie J. Block


WHY SHE'S MS. BROADWAY: OK, so she's currently starring in an Off-Broadway musical, but Stephanie J. Block is the most requested Ms. Broadway by you readers that I have yet to honor as such.  She's had a remarkable stage career all over the country in regional theatre and in New York, on and off Broadway.  She's been in plays and musicals, new and revivals.  Along the way, she's been nominated for just about every major award including the Carbonell, the Helen Hayes, the Drama Desk, and, most recently, the Tony.  She's released a solo album, appeared at Birdland, and made her dramatic television debut in Homeland.  And there is certainly no denying she has range - from Grizabella to Reno Sweeney, from Grace O'Malley to Liza Minelli, and from Edwin Drood to Judy Bernly. Her co-stars and collaborators include no less than Chita Rivera, Hugh Jackman, Dolly Parton, Jason Alexander and Joel Grey.  Now, at last, she's Ms. November.

FUN FACTS:

  • She was born in California on September 19.
  • She's married to Mr. Broadway December 2010, Sebastian Arcelus.
  • The were in the National Tour, and later, the Broadway company of Wicked; she was Elphaba, he was Fiyero.
  • She co-starred in The Mystery of Edwin Drood with her dog, Macaco.
  • She was the original Belle in Disneyland's Beauty and the Beast.


IN PHOTOS:
Head Shots and Candids





Mr. and Ms. Broadway: 
Stephanie, Sebastian and Macaco

TV and Recording



Homeland

Regional Theatre


Cats and Funny Girl

Oliver!

South Pacific and They're Playing Our Song

Off-Broadway and On Broadway



Wicked

The Boy From Oz



The Pirate Queen


9 to 5


Anything Goes

By the Way, Meet Vera Stark



The Mystery of Edwin Drood

Little Miss Sunshine

IN VIDEO

"Defying Gravity" - National Tour Promo - Wicked


"The Writing on the Wall" - The Mystery of Edwin Drood


Jeff
5.052

Thursday, November 14, 2013

Broadway Boys: Mr. November 2013: A Gentleman's Guide's Jeff Kready

Mr. November 2013
Jeff Kready

WHY HE'S MR. BROADWAY:  Actually, Jeff Kready is exactly the kind of guy I like to highlight in this monthly column - a hard working, career actor, making a more high profile "splash" this month on Broadway.  And he is.  This month, Sunday, in fact, Mr. Kready is opening in A Gentleman's Guide to Love and Murder, in an ensemble role he is creating (Farmer/Guard).  Like most young actors of his generation, he has made a stage career on Broadway and regionally, while also working in television - he has appeared in HBO's Boardwalk Empire. Regionally, he has appeared at Paper Mill Playhouse, Goodspeed and Hartford TheatreWorks, in a variety of roles in plays and musicals.  And he's no stranger to the Great White Way, having appeared in Billy Elliot, and the revivals of Sunday in the Park with George and Les Miserables.  Right now, though, Mr. November 2013 has his hands full with a brand new musical!

FUN FACTS:

  • Some of his famous co-stars include Tony-winner Gregory Jbara, Jenna Russell and Daniel Evans, Alexander Gemignani (twice), Celia Keenan-Bolger and Norm Lewis.
  • He co-starred in Les Miserables with his wife, Ms. Broadway January 2012, Nikki Renee Daniels.
  • He understudied the role of Jean Valjean and got to go on!
  • His acting coach is David Hibbard (A Class Act, Cats, Billy Elliot).
  • He has a new daughter named Lena. Congratulations!
  • Get much more information on him at: http://www.jeffkready.com/


IN PHOTOS:
Head Shots:






Regional Theatre: 


Anything Goes (Billy Crocker)

Carousel (Mr. Snow)

Godspell (Jesus)

In This House

The Santaland Diaries

Thoroughly Modern Millie (Jimmy)

Tokio Confidential

Television:


Boardwalk Empire

Broadway:




Les Miserables (2006) - Babet, Thenardier's Gang, Valjean Understudy

Sunday in the Park with George (2008)

Billy Elliot (at the Tony Awards)

A Gentleman's Guide...

IN VIDEO (2013 Topeka Singers Festival)

"I Turned the Corner" - with Nikki Renee Daniels



"Bring Him Home"


Jeff
5.051

Wednesday, November 13, 2013

No Expectations... (Some) Great Experiences

Many of us have had the downer experience of getting really excited about seeing a show only to be disappointed in it.  Those are never fun, right?  But how about those shows that we go into with almost no or - worse yet - low expectations?  Sure, some of those show meet those low standards.  At least they give us some great "we were there" stories!

It has been my experience, though, that more often than not, those shows are the ones I end up enjoying the most.

Say Goodnight Gracie? George Burns?  Yawn.  One man shows?  Double yawn.  Got a comp to the National Tour with the late Frank Gorshin, and LOVED it.  I laughed.  I cried.  Good times.

Hair. Not a big fan of the whole hippies-60's thing.  Like maybe two songs in it.  No Jonathan Groff? Went because I try to see all the new musicals and revivals each season.  Got a cheap front row seat, Will Swensen stood on my chair and wiggled his crotch in my face, and I saw Jay Armstrong Johnson for the very first time.  I loved it so much I called Mike from the street the second I got out! (He ended up being a real Hair groupie!)



Speaking of Mike, we both went to Xanadu specifically to see what a train wreck it would be.  The place was on FIRE!  The cast, the band, the audience.  I haven't laughed as hard since.  Saw it 5 or 6 times...  Then there is our much chronicled love affair with American Idiot.  (This blog is full of info on that topic!)

Some current shows that fit include Cinderella (I will see anything with Laura Osnes, but I never expected to be so transported... and Santino Fontana? Grrrr!), After Midnight (Not a huge Fantasia fan, and I'm not too big on musical revues.), First Date (Saw it, liked it way more than I thought I would.  I am now a Zachary Levi fan for life.), Matilda (Had read the book years ago... "kids shows" are an iffy proposition... LOVED it!  One of the best shows in many seasons!), and A Night with Janis Joplin (See my notes on Hair...).

But my three biggest unexpected thrills in years are:


3.  The Book of Mormon:  I saw it shortly after it opened, before the hype machine was in full gear, and at a discount, no less!  I had seen exactly one episode of South Park  at that point, I think.  And I went just to see it as part of my see-every-new-musical thing, and mostly because Mike was so excited about it - though we both were fully prepared for a flop.  Well, the rest is history.  People pay a couple hundred bucks to sit where I did, you can't get tickets for months in advance, and it is a cultural phenomenon.  And I can't wait to see it again!


2.  Once: Never saw the movie.  Never heard of Cristin Milioti, only knew a little about Steve Kazee.  And European pub music? Not so much.  I fell in love with Kazee and Milioti the minute they locked eyes in two spotlights.  I laughed, I wept.  My soul ached when it was over.  Loved it even more the second time.


1.  next to normal: I have written many a blog about my love for this modern masterpiece, so I won't bore you again.  But talk about low expectations!  The only reason I went was because I love Alice Ripley, but really?  A show about bipolar disorder?  And I hated Jersey Boys, so I didn't want to see J. Robert Spencer, and was miffed that Brian d'Arcy James left it to do Shrek.  Well, I was in awe - literally, I sat with my mouth open for the whole show.  It was one of those life-changing moments.  And now I'm a fan of Tom Kitt and Brian Yorkey, not to mention my crushes on Jennifer Damiano, Aaron Tveit and Adam Chanler-Berat!

Hmmm... do I need to keep my expectations in check for the upcoming Kitt/Yorkey show, If/Then?

Write in (or Tweet me) with your unexpected favorites!

Jeff
5.050

Tuesday, November 12, 2013

UPDATE: Your Disappointments... and Favorite Broadway Couples

Well, I asked, and you answered... A LOT of you answered!  Thanks!  Recently, I posted two blogs: one about favorite Broadway couples, real-life and in shows (HERE), and the other about shows being disappointments after hearing all the hype surrounding them (HERE).  Several of you emailed and Tweeted about your favorites, and here are some of the most popular responses:

YOUR FAVORITE BROADWAY COUPLES (FROM SHOWS)

Some classics you mentioned:

  • Anna and the King (The King and I)
  • Nathan Detroit and Miss Adelaide (Guys and Dolls)





  • Marian Paroo and Harold Hill (The Music Man)
  • Danny Zuko and Sandy Dumbrowski (Grease)
  • Nellie Forbush and Emile de Becque (South Pacific)


Some more modern couples you mentioned - The Top 5:

5.  Raoul and Christine Daae  (The Phantom of the Opera) (The Phantom and Christine got some votes, too.)


4.  Boy and Molly (Peter and the Starcatcher)


3.  Princeton and Kate Monster (Avenue Q)


2.  Elphaba and Fiyero (Wicked)


1.  Marius and Cosette (Les Miserables) (Marius and Eponine got a few votes, too.)


Honorable Mention: Sky and Sophie (Mamma Mia!) and Link Larkin and Tracy Turnblad (Hairspray

YOUR MOST DISAPPOINTING SHOWS:

@BBwithPickles: The revival of A Chorus Line "uninspired, boring and drawn out"


@kevinddaly: Clybourne Park "I expected to be wowed, instead I was let-down and a bit bored."
(@ydavey and @tapeworthy agreed)


@TwoShow Days: "Priscilla & Kinky Boots were both extremely tame for shows about drag queens. And the acclaimed War Horse bored me."




@mrtylermartins: "Definitely Golden Boy"



Some of you asked what current shows disappointed me. Hmmm... Big Fish and Jersey Boys for sure!

Keep sending in your choices for future blogs!

Jeff
5.049

Monday, November 11, 2013

FILM REVIEW: Broadway Idiot

Review of the documentary film which opened at the SXSW Film Festival on March 15, 2013, and on October 11, 2013 in limited release in the United States.  Featuring Billie Joe Armstrong, Michael Mayer, John Gallagher, Jr., Tom Kitt, Steven Hoggett, Christine Jones, the Berkeley Rep cast and original Broadway cast of American Idiot.  Released by Film Buff.  Directed by Doug Hamilton.  80 minutes.

Grade: A

If you had told me immediately following the first time I saw American Idiot, that I'd not only see the show more than a half dozen times between Broadway and two National Tours, but I'd also sit through a documentary film about the making of it, I'd have said you were crazy.  But here we are.  I have pretty much chronicled my journey from skeptic to fan on this blog.  And now having seen Broadway Idiot, which chronicles a similar journey for Green Day front man Billie Joe Armstrong, I am even more of a fan.

Pitching American Idiot
At just an hour and twenty minutes, this film flies by.  Told in mostly chronological order from a giant concert tour supporting the album of the same name to Billie Joe's Broadway debut in American Idiot.  I could go on and on about how fascinating it is to watch first hand the process of transforming a punk rock classic into a stage musical.  There are some highlights of that part of the film, like watching the initial pitch from Michael Mayer to all of the members of Green Day (the looks on their faces is priceless), or watching Tom Kitt figure out how to turn an album mostly sung by one voice into an arrangement of several different characters and a large vocal ensemble.  Watching the company rehearse while the set is being assembled, all while the creative team discusses the concept and challenges of this particular piece will likely be of great interest to theater fans.  I found the segment where Billie Joe, Michael and Tom are sitting at the back of the theater talking music and the comparable scale of rock and Broadway, especially when Kitt effortlessly bangs out a song from the show and transforms it into "What I Did For Love" from A Chorus Line, just but showing that the two share similar chord progressions.

One of the truly great aspects of this film is that Green Day fans (and music fans in general) will also have plenty to enjoy.  The concert footage interspersed with its stage counterpart is always thrilling, easily, but not heavy-handedly, showing that the distance between the two art forms is not miles apart, but pretty close together.  And as someone not too familiar with the whole rock concert genre, I found the devotion and fervor of the Green Day fans to be not only understandable, but inspiring.  And fans on both fronts should really enjoy watching the cast perform on the Grammy Awards, just after finding out they are going to Broadway, and will, I think, especially appreciate watching the process of the joint Green Day-Broadway Cast recording of "21 Guns."  I loved, too, and think band fans may be shocked to watch a very young Armstrong warble out show tunes at a talent show.

Recording "21 Guns"
Throughout, I was struck by the enthusiasm and cooperation between both the creative team and the band.  And it feels completely genuine.  What is extra nice is that while both parties show equal surprise and awe at what the other does to "get the show on," but more importantly, how the two "worlds" are the same in the most important ways: artistry and passion.

If I had to complain about anything, it would be the lack of problems depicted in the film.  It fairly glosses over the fact that up until Broadway rehearsals we saw a different "Tunny" than Stark Sands, with a blink-and-you-missed-it explanation that "we just wanted to be sure to assemble the best cast we could for Broadway.  And I'm not sure how this otherwise honest-feeling film completely failed to mention that the show continually struggled to gain a large audience from week to week.  Still, the film isn't really about the business of Broadway, but it is about the artistic triumph.

Green Day and the cast of American Idiot

There is one moment in the film that is my favorite of all: we witness the exact moment when Billie Joe Armstrong is bitten by the Broadway bug.  From that moment on, the look in his eye is completely different.  He is a man transformed.  I always wondered what I looked like at that exact moment in my life.  No I have an idea.

Jeff
5.048
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