HERE'S WHAT'S NEW ON THE SITE:

CHECK OUT THE TABS ABOVE FOR PREVIOUS ARTICLES, INCLUDING STANDING @ ZERO, ONE THAT GOT AWAY, #TBT, THE FRIDAY 5! CHECK IT OUT!

AND DON'T FORGET TO SCROLL DOWN THE WHOLE PAGE FOR LINKS TO FEATURED ARTICLES, REVIEWS, SHOW SITES, AND THEATER-RELATED STUFF!

COMING UP ON BROADWAY:
Six - Opens: 3.12.20 The Minutes - Opens: 3.15.20 Company - Opens: 3.22.20 Diana - Opens: 3.26.20 The Lehman Trilogy - Opens: 3.31.20 Mrs. Doubtfire - Opens 4.5.20 Plaza Suite - Previews: 3.13.20, Opens: 4.13.20 American Buffalo - Previews: 3.24.20, Opens: 4.14.20 Sing Street - Previews: 3.26.20, Opens: 4.19.20 How I Learned To Drive - Previews: 3.27.20, Opens: 4.22.20 Take Me Out - Previews: 3.31.20, Opens: 4.23.20 MJ: The Musical - Previews: 7.6.20, Opens: 8.13.20 American Utopia - Opens 9.18.20

THIS WEEK ON THE SITE: 4/6: Broadway Heat: Diana Edition: The Elimination Round! - 4/7: Ms. Broadway April 2020 - 4/8: One That Got Away - 4/9: Musical of the Month:The Drowsy Chaperone: The Creatives - 4/10: The Friday 5 Quiz

CONTACT US: (Email) jkstheatrescene@yahoo.com (Twitter) @jkstheatrescene (Instagram) jkstheatrescene

Thursday, March 7, 2019

#TBT: The Fireside Theatre Book Club

Back in the days of snail mail and definitely pre-Amazon, there were things I really looked forward to getting in the mail. In my high school and undergrad years, I belonged to two mail order clubs. One was Columbia House, a record club for my pop music needs (they seriously lacked in the cast album department). The other was The Fireside Theatre Book Club, which satisfied my need for scripts, librettos and the occasional reference book.


The cover pages of each "exclusive" hard cover edition 
always featured a publisher from Garden City, New York.

Both worked in the same way. First, every few weeks, they'd send a small catalog of the books (or records) they had, along with a flier for the selection of the month, and a response card. If you wanted the selection of the month, you didn't have to do anything - they'd mail it to you a few weeks later after the deadline for response. If you didn't want the selection (or if you wanted other books) you'd send the card back before the deadline. Raise your hand if you, like me, would occasionally get a selection because you forgot to send back the card.

Anyway, about 15 or so times a year, I'd get those prized envelopes in the mail, and maybe half the time I'd get a new script or two. Those were great days. There's something to be said for delayed gratification...

Sweet Sue with Barry Tubb and Lynn Redgrave

The Off-Broadway production of Steel Magnolias

I miss that club. I loved getting "exclusive" hard cover editions, with show logos emblazoned on the slip cover, and always went straight for the glossy picture pages in the center which featured original cast production photos. I'd read the script from cover to cover. Then I'd wait for the next booklet to arrive.

Those were good times.

#2023

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