BROADWAY RETURNS: Come From Away - Resumes 9.21.21 Moulin Rouge! - Resumes 9.24.21 THE 74TH TONY AWARDS - 9.26.21 Aladdin - Resumes 9.28.21 To Kill a Mockingbird - Resumes 10.5.21 Tina - Resumes 10.8.21 Girl From the North Country - Resumes 10.13.21 Ain't Too Proud - Resumes 10.16.21 Jagged Little Pill - Resumes 10.21.21 The Phantom of the Opera - Resumes 10.22.21 The Book of Mormon - Resumes 11.5.21 Harry Potter and the Cursed Child - Resumes 11.12.21 Dear Evan Hansen - Resumes 12.11.21 Beetlejuice - Resumes 4.8.22

NEW ON BROADWAY: Lackawanna Blues - Opens 9.28.21 SIX - Opens 10.7.21 Freestyle Love Supreme - Opens 10.7.21 Chicken & Biscuits - Previews 9.23.21 Opens 10.10.21 Is This a Room - Previews 9.24.21 Opens 10.11.21 The Lehman Trilogy - Previews 9.25.21 Opens 10.12.21 Dana H. - Previews 10.1.21 Opens 10.17.21 Thoughts of a Colored Man - Previews 10.1.21 Caroline, or Change -Previews 10.8.21 Opens 10.27.21 Trouble in Mind - Previews 10.8.21 Opens 10.27.21 Diana - Previews 11.1.21 Opens 11.17.21 Trouble in Mind - Previews 10.29.21 Opens 11.18.21 Clyde's - Previews 11.3.21 Opens 11.22.21 Mrs. Doubtfire - Previews 10.21.21 Opens 12.5.21 Flying Over Sunset - Previews 11.11.21 Opens 12.13.21 Company - Previews 11.15.21 Opens 12.9.21 Skeleton Crew - Previews 12.21.21 Opens 1.12.22 MJ: The Musical - Previews 12.6.21 Opens 2.1.22 The Music Man - Previews 12.20.21 Opens 2.10.22 Paradise Square - Previews 2.22.22 Opens 3.20.22 Take Me Out - Previews 3.9.22 Opens 4.4.22 Birthday Candles - Previews 3.18.22 Opens 4.10.22 The Minutes - TBA Plaza Suite - Previews 2.25.22 Opens 3.28.22 American Buffalo - TBA 1776 - TBA Sing Street - TBA Our Town - TBA

COMING UP THIS WEEK: Broadway Musical Revival Logos Tournament: THE CHAMPIONSHIP! - Performers We Can't Wait to See More Of - Broadway in a Box: Fiddler on the Roof - One That Got Away: Neil Simon's Rumors - Broadway Games!

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Wednesday, April 25, 2018

At the Stage Door: Meeting Scott Bakula

Much has been written recently about the stage dooring experience these days on Broadway, and I suppose I'll get around to adding my two cents' worth eventually.  But for now, I'll share a few stories of my stage dooring experiences that are nothing like what is done today.

It was early summer 1988. The Tonys were over, and The Phantom of the Opera and Into the Woods were all the rage. I, like many theater fans, got my glimpse of Broadway shows from the Tony Awards, and that year, the show that really surprised me was the one I hadn't seen or really heard much about: Romance Romance.

To be completely honest, I was really interested because I saw Alison Fraser listed as being in it during the opening credits, and I was a fan of hers since she was a replacement in The Mystery of Edwin Drood, one of my (still) all-time favorite shows. When the number from R/R came on, though, I was immediately smitten with the guy in the tux and then in the jeans and purple shirt.  Man, was he hot!  And what a great singer!  I HAD to see this show.

Of course, I'm talking about Scott Bakula, a largely unknown actor, whose major stage credit at that point was an off-Broadway show called 3 Guys Naked From the Waist Down.  This was still a couple years away from Quantum Leap and just under a quarter century before his current hit, NCIS:New Orleans.

So, I booked my tickets, and my grandmother - a spry, sharp lady - and I went to see a matinee. We both loved the show, and exited the Helen Hayes Theatre on a musical high.  We stopped just outside the door and noticed that one of her favorite comedians, Joan Rivers, was playing in Broadway Bound, right across the street. She wanted to wait and see if we could see her coming out the stage door. So we stood there across the street, just waiting.  Mind you, we didn't want autographs, we just wanted to see her.

Now, in those days, the cast exited the Helen Hayes just like the audience did - through the house and out the front doors.  That little side alley they use today was not in use then. As we are standing there, my grandmother drops her Playbill.  I bend over to get it, and there's a shoe gently holding it down. I look up, and there's Scott Bakula, looking down at me. "Don't want that to blow away, right?" He smiled that crooked smile of his, and my heart was pounding. I was speechless.

Grandma wasn't. "You are that nice young man in that show we just saw!" "Yes, ma'am." "Well, you were wonderful. This is my grandson. He's a big fan of yours." I was beat red, but loving it still.  "Well," he said, "it's always nice to meet fans.  Thanks for coming." I thought that was the end of it. Nope. He stood there and talked to us for a good ten minutes about other shows, where to eat for dinner, and that he was looking forward to an audition for a TV show.  We shook hands; he hugged my grandmother (her turn to blush). And we parted ways.

No crowd amassed, no police barricade. No pressure.  Just theater lovers and an actor sharing a few minutes of  commonality and kindness.  It never occurred to me to ask for an autograph. But I will never forget that wonderful memory. Neither did my grandmother. She was a huge fan of his until the day she died, and frequently recalled that warm afternoon.

We never did see Joan Rivers.

1 comment:

  1. What a wonderful memory for your family to have and it says so much about the man who still appreciates his fans today even after decades of entertaining us all on Broadway and off-, and on both the small screen and large.


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