As always, I welcome your comments and your own "winners." Write in (jkstheatrescene@yahoo.com), Tweet me (@jkstheatrescene), or leave a comment below! I look forward to hearing from all of you!
THE BEST (AND WORST) OF THE 2012 THEATRESCENE:
PERFORMANCE
PERFORMANCE
Best
Debut (Play): Rachel Griffiths, Other Dessert Cities – The TV star proved she has live theatre
chops to spare. ABOVE
Best
Debut (Musical): Anthony Warlow, Annie – The international musical star finally made it to Broadway! ABOVE
Best
Child Actor: Zachary Unger, Chaplin – Adorable and legitimately excellent, there’s not a dry
eye in the place when he turns on the waterworks! ABOVE
Best
Understudy: Taylor Richardson, Annie – She’s the third-string Annie, but she knows what she’s
doing. See her name on a slip in your Playbill, and know you are in good
hands!
Most
Under-Appreciated Actor: Adam Chanler-Berat, Peter and the Starcatcher – Tough to
hold your own against Christian Borle, his sweat and his ‘stache. But Adam did just that. Did anyone notice? I did! ABOVE TOP
Most
Under-Appreciated Actress: Caissie Levy, Ghost: The Musical – Of the four major leads in the show, she has
the least exciting role. But I can still
feel her grief all these months later. ABOVE CENTER
Most
Under-Appreciated Cast: Bring It On: The Musical – They are great from the top of the
pyramid to the bottom. They are in the
best musical no one saw. ABOVE BOTTOM
Best
Chemistry: Guy and Girl, aka Steve Kazee and Cristin Milioti, Once ABOVE TOP
Best
Cast Chemistry: Bring
It On: The Musical – Talk about having each others’ backs! The death-defying acts, the cool choreography…
they are a solid unit.
The
Grin-and-Bear-It Award (Cast): Scandalous – I’m embarrassed for them. But they still showed up for 8 a week and
gave it 100%. ABOVE CENTER
The
Grin-and-Bear-It Award (Individual): Elena Roger, Evita – She’s not quite the sensation
here that she was on the other side of the pond… ABOVE BOTTOM
Best
Dancing by a Non-Dancer in a Musical: Judy Kaye, Nice Work If You Can Get It - OK. Maybe she’s doesn’t so much dance as
dangle from that chandelier, but it did win her a Tony Award. ABOVE TOP
Best
New Song Written for a Broadway Musical: TIE “With You” from
Ghost: The Musical and “All Falls
Down” from Chaplin ABOVE TOP CENTER
Best
New Song Written for an Off-Broadway Musical: TIE: “Dogfight”
and “First Date/Last Night” both from Dogfight ABOVE BOTTOM CENTER
Best
Underscoring: Peter
and the Starcatcher BOTTOM
Best
Props in a Play: Venus
in Fur – Was I the only one terrified by what else might be in Nina Arianda’s bag? ABOVE TOP
Best
Props in a Musical: Silence!
– As endlessly inventive as the entire production. They did an entire film parody on about a
$50.00 prop budget and it was awesome! ABOVE CENTER
Best
Body Part: Legs – As in LEG LAMPS! From A Christmas Story: The Musical ABOVE BOTTOM
Best
Kiss (Straight): Sam and Molly in Ghost: The Musical = sexy and romantic! ABOVE TOP
Best
Kiss (Gay): Jason and Peter in Bare: The Musical Does Jason Hite kiss like that in real life? If so, sign me up! ABOVE CENTER
Best
Kiss That Never Happens: Guy and Girl in Once. Has not kissing ever been sexier or romantic? ABOVE BOTTOM
Best
Underwear (Play): Nina Arianda in Venus in Fur ABOVE TOP LEFT
Best
Underwear (Musical): Jason Hite and Taylor Trensch’s boxer
briefs in Bare: The Musical ABOVE BOTTOM
Best
Shirtless Moment: Richard Fleeshman in Ghost: The Musical – Duh. So hot, it even made a talk show! ABOVE TOP RIGHT
Teacher of the Year: Sister Joan (Missi Pyle) in Bare: The Musical – Compassionate AND sassy – the perfect combination. TOP
Best
Villain (Male): Carl Bruner (Bryce Pinkham) in Ghost: The Musical – He was nasty in
pretty much any way you can be nasty. TOP SECOND
Best
Villain (Female): Rita Lyons (Linda Lavin) in The Lyons – Cold. Ruthless. Funny as Hell. TOP THIRD
Best
Bathroom Scene: “Delishious” Eileen Evergreen (Jennifer
Laura Thompson) and the Bubble Boys and Girls in Nice Work If You Can Get It BOTTOM
Best
Victor/Victoria (Musical):
Edwin Drood/Alice Nutting (Stephanie J. Block in The Mystery of Edwin Drood) ABOVE FIRST
Best
Victor/Victoria (Play):
Rachel Crabbe (Jemima Rooper in One Man,
Two Guvnors) ABOVE SECOND
In
the Heights
Award for Best Use of a Cell Phone: Bare: The Musical ABOVE THIRD
Best
Peter Parker Rise Above Award: Candy Buckley in Scandalous – Talk about your silk purse…
The
Bloody Bloody Award for Best Use of Stage
Blood: Carrie: The Musical
– E I E I O ABOVE FOURTH
The
Cats Award for Best Use of Junk:
From proscenium to set, Peter and the
Starcatcher – Talk about going green! ABOVE FIFTH
The
70,Girls,70 Award for Senior Power (Actor):
James Earl Jones in The Best Man ABOVE TOP
The
70,Girls,70 Award for Senior Power (Actress):
Angela Lansbury in The Best Man ABOVE CENTER
The
70,Girls,70 Award for Senior Power (by
a non-Senior): Tom Edden in One Man, Two Guvnors - None
of these three act their age, that’s for sure! ABOVE BOTTOM
The
“Say a Little Prayer” Award for Too Much of a Good Thing: PLEASE…a reprieve from anything Gershwin…
The
Alice Ripley Award for Acting Intensity: Christian Borle as Black
Stache in Peter and the Starcatcher. The sweat proved it!
The
Scottsboro Boys Award for Too Short a
Run: Chaplin: The
Musical
The
Baby It’s You/Shirelles Award for
Back Up Singer Excellence: The Angels of Mercy in Leap of Faith
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